LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 14:10 October 2014
ISSN 1930-2940

Managing Editor: M. S. Thirumalai, Ph.D.
Editors: B. Mallikarjun, Ph.D.
         Sam Mohanlal, Ph.D.
         B. A. Sharada, Ph.D.
         A. R. Fatihi, Ph.D.
         Lakhan Gusain, Ph.D.
         Jennifer Marie Bayer, Ph.D.
         S. M. Ravichandran, Ph.D.
         G. Baskaran, Ph.D.
         L. Ramamoorthy, Ph.D.
         C. Subburaman, Ph.D. (Economics)
Assistant Managing Editor: Swarna Thirumalai, M.A.

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Images of Women in R. K. Narayan’s
The Dark Room

C. Malathi, M.A., M.Phil., NET, Ph.D. Candidate



Indian novelists writing in English occupy a prominent place. Apart from female writers, male writers seem to echo the concerns of the women. In this book, I try to present a description of the images of women in R. K. Narayan’s novel The Dark Room. This novel was originally published in UK by Macmillan Publishers in 1938. The novel is set in Malgudi. Although R. K. Narayan may not be described as a feminist writer, his sympathetic portrayal of the suffering of women from all classes in India indirectly contributed to the awakening of the consciousness of both men and women in relation to the oppressed and suppressed conditions women were and are placed in.

1930s is an important period in the history of India. Importance of women’s place and family was readily recognized as evidenced by larger participation of women in the freedom movement, in the declarations of leaders such as Mahatma Gandhi, Jawaharlal Nehru, Rabindranth Tagore, Annie Besant, and others. Voting rights were granted to women in certain categories. More schools and colleges for women were opened. It is significant to note that R. K. Narayan’s The Dark Room was written and published during this decade.

R. K. Narayan portrays with sympathy the suffering of women and shows how important their roles are both in the family and in the public life.

I took up The Dark Room for my Master’s Project and wrote a report on the women of this novel. A revised version of this report is now presented in a monograph format. I am grateful to my supervisor Mrs. M. Ranjitham, M.A., M.Phil. for her support and supervision of the original project.

This short monograph is presented as follows:

Preface

Chapter 1 Introduction

Chapter 2 Indo-Anglian Novels and Images of Women

Chapter 3 R. K. Narayan’s Art

Chapter 4 Images of Indian Women in The Dark Room

Chapter 5 SUMMING UP - Narayan – A Great Conventional Story Teller

Bibliography

This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.


C. Malathi, M.A., M.Phil., NET, Ph.D. Candidate
Assistant Professor Department of English
N.G.M. College (Autonomous)
Palakkad Road Pollachi 642001
Tamilnadu
India
malskrish@gmail.com

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