LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 26:4 April 2026
ISSN 1930-2940

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         T. Deivasigamani, Ph.D.
         Pammi Pavan Kumar, Ph.D.
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The Costs of Success: Psychological Trauma and Class Satire in Razdan's Death of a Gentleman

Dr. P. Sasikumar


Abstract

This study analyses Riva Razdan's Death of a Gentleman (2025) as a hybrid story that combines a psychological thriller and social satire to scrutinise the unstable costs of ambition in modern Indian culture. The novel focuses on Yuvraaj Khanna, a self-made entrepreneur whose rapid ascent in the start-up industry is undermined by paternal estrangement and the enigmatic death of his father, illustrating the psychological consequences of success. Razdan places Khanna's personal breakdown within the broader contexts of class privilege and top achievement in Mumbai's elite society, highlighting the unresolved pain of abandonment. The novel employs incisive satire to reveal the vanity, ethical compromises, and emptiness of status-oriented relationships. At the same time, suspenseful narrative techniques highlight the vulnerability of identity among the forces of globalisation. Through the amalgamation of genre clichés, Razdan broadens the horizons of Indian English fiction, presenting a narrative that examines personal ambition and structural injustices. This study contends that Death of a Gentleman illustrates how modern Indian literature navigates the convergence of psychological anguish and class satire, finally exposing the moral and emotional repercussions of prosperity in a culture where allure masks treachery.

Keywords: Riva Razdan, Death of a Gentleman, psychological anguish, class satire, culture

Introduction

Riva Razdan is a screenwriter for Dharma Productions, Balaji Telefilms and Alchemy Productions. She is the author of the books Arzu (2021) and The Naani Diaries (2023), which is in development as a feature film by the Oscar-nominated Meralta Films (Indian Matchmaking, I Am Ready Warden) in Hollywood. Death of a Gentleman (2025) is a major turning point in Razdan's creative body, as it represents a transition from the romantic-feminist themes that she explored in her earlier works to the combined domain of psychological thriller and social satire found in her most recent work. This change is known for its thematic depth and its genre. In contrast to Razdan's earlier works, which focused on topics such as love, gender, and self-discovery, Death of a Gentleman digs deeper into the more sinister sides of ambition, alienation, and social privilege in a world that is becoming increasingly global.

Set against the backdrop of Mumbai's aristocratic circles, the story depicts the inconsistencies that exist within the start-up sector of India's innovation industry. Yuvraaj Khanna is at the centre of this movement. His company's approximately billion-dollar valuation exemplifies the aspirations of a growing economic elite, making him a self-made entrepreneur whose rapid climb is indicative of his success. Yet, unresolved trauma, such as the paternal and the mysterious death of his estranged father scars Khanna's psyche, leads him into a murder investigation. This is the source of this character's inability to be successful. The novel weaves together personal anguish and structural criticism, illuminating the ways in which ambition, despite being praised as a symbol of progress, can simultaneously erode psychological stability and ethical immaculateness.

Razdan's satire enhances the potency of this critique by revealing the superficiality and vacuity of Mumbai's elite society. Khanna's engagement to Sanjanaa Gandhi and his involvement in the affluent milieu of Malabar Hill exemplify the tendency for relationships to become transactional, wherein ethics are compromised for social standing. The story highlights the performative nature of wealth and privilege through these events. The thriller's premise employs tension to underscore a social critique, exposing the fragility of identity amid the demands of globalisation.


This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.


Dr. P. Sasikumar
Assistant Professor (English)
Department of Social Sciences
SRM College of Agricultural Sciences
SRM Institute of Science and Technology
Baburayanpettai, Chengalpattu – 603201
Tamil Nadu, India
sasiteach89@gmail.com


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